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Abstract

How do the personal beliefs of a teacher impact the content and method of art teaching practices? This question initiated my reflection on my previous art teaching at Chicago Moms Art, located in Wheeling, IL. I was able to reimagine and reconstruct the pedagogy of art as a liberation method through self examination of my art practice and utilization of Freire’s pedagogical models. I recognized the oppressive phenomenon of deficit learning in my previous art teaching experience, and this recognition transformed my understanding of what art is. I was able to find the pedagogy of liberation that is enlightening and engaging through working with the students at Chicago Moms Art. The students of the Chicago Moms Art fit into a narrow marginalized population: middle-aged immigrant women who speak either limited or no English—a group with whom I share my own background. From an initial investigation of how Chicago Moms Art’s students can use their funds of knowledge to explore their past memories to reimagine their art practice, I designed a lesson plan that the students participated in over three weeks of classes. Further inspection of this question allowed me to examine the students’ reactions toward a new approach for teaching and learning. This study facilitates the importance of artmaking through asset-based pedagogy and the transformative impact it has on these students and their connected communities. The asset-based pedagogies offer a counternarrative to deficit ideology outcomes by valuing students’ insights, languages, and cultural practices (Flint & Jaggers, 2021). More importantly, this pedagogy allowed the students to explore their past memories and create their own understanding of the world around them. After the students and I pivoted our art practices to process-based experiences, beyond advancing technical skills, we were able to branch out into an exploratory future to find liberation through art making. With the power the students and I possess in our lived experience, we will continue to pursue and discover the ways our world works through questions with progress toward transformation. This is a journey to rediscover our untold stories and find our artistic paths in the midst of the United States.

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Acknowledgement 

I would like to take this moment to thank the many people who helped me through this process of becoming a better art teacher and a better human being. Every step along the way was challenging and I truly believe that it was not possible without your support and help. My deepest gratitude goes to my husband, Young Lee, my love. Thank you for your unconditional support and providing aid in every possible way. I would like to recognize my three children, Kendrick, Audrey and Anthony, for understanding my busy schedules and allowing flexibility in their lives. Thank you my angels, I love you. My special thanks goes to all the students in Chicago Moms Art for taking the journey of trying new art practices and supporting my education. I am forever grateful for your being with me and having my back through hardships. For those of my friends who cheered and encouraged me, I could not have elevated myself this far without your kindness and gentleness. I am fortunate to belong in this amazing group of people. Lastly, I would like to extend my gratitude to all my professors and advisors for helping me to bring this chapter to a close.

Chicago Moms Art

Instructor: Annie Lee

anniemaeng@gmail.com

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